Notes on craft, method, and steady progress.
Every note here starts with something small and real: a phrase overheard on the bus, a grammar point from class, a message I got wrong. From there it follows the same short routine, capture, correct, compare, practice, until it becomes something worth reading aloud.
Support
Questions about a correction, a vocabulary list, or a routine that stopped working usually come in between classes and shifts. Send them whenever, and they get read in the order they arrive.
If your note is about a specific entry, mention the entry title so it can be found faster.
Best for longer questions, corrections, or sending a screenshot of your own notes.
info@nnjibe.comShort voice notes and quick clarifications. Leave a message if it rings through.
+54 9 11 8209 3346Messages are answered within two to three working days. During exam weeks and long weekends it can stretch a little further, and that gets noted rather than left silent.
Many recurring questions about the capture, correct, compare, practice routine are already covered in the FAQ section further down this page.
Address: Villa Madariaga, Municipio de Posadas, Provincia de Misiones, 3301, Argentina. For privacy details about how messages are kept, see the privacy policy.
How a note gets made
Every entry in this notebook starts small: a word you did not catch, a correction a friend slipped in, a sentence that came out wrong at the kiosco. The routine below is the one I keep between shifts and class, and it is short on purpose. If a step takes more than a few minutes, it does not survive the week.
A phrase overheard on the colectivo, a grammar point from class, a message I had to rewrite twice. I write it down in blue ink within the hour, badly and without structure. The point is not a clean note yet, it is not losing the moment.
Later the same day, or the next morning, I reread the scribble and fix what was wrong. Sometimes that means checking a conjugation, sometimes asking someone who speaks Rioplatense every day. The correction goes in the margin, not over the original, so I can see what I got wrong.
I keep English and Dominican Spanish in my head at the same time, and they do not always agree with what I hear in Misiones. So each note gets a short comparison line: what I would have said, what people actually say here, and where the gap comes from.
Yellow highlighter goes on the one line worth repeating aloud, usually an expression or a verb form that keeps slipping. I add a mental audio cue next to it, a rhythm or a stress pattern, so I can recall the sound without a recording.
Notes go into one of four piles: vocabulary lists, common mistakes in Rioplatense Spanish, everyday expressions, and English versus Dominican Spanish comparisons. Filing takes a minute and saves me from rereading the whole notebook when I need one word.
The last step is not writing at all. I try the highlighted line the next time it fits, at the fería or in a message, and note whether it landed. If it did not, the note goes back to step two. That loop is the whole method.
The routine fits in the gaps of a normal week: a few minutes after work, a short pass before bed. Nothing here promises fast fluency, and some notes take three tries before they stick. If you want to see how a single correction turns into a full entry, the voseo note is a good place to start. For questions about how the notebook is put together, get in touch.